Memories of summer under the beeches… these trees line the side of a minor road that snakes up Nuthanger Down. We’re looking at them from the side that the road is on; on the other side, there is a steep, grassy slope down to the…
Continue reading Driftwood
This is based on a fairly old photograph from 2018, albeit of a place I know well and visit often. There is a distinct blue cast in that photograph that I found attractive, but it was difficult to reconcile the blue-green of the trees with…
Continue reading Effervescent
I very seldom reuse a source photograph, but I did here. The photograph was taken in 2018 and I used it that year to make Hanging Ash, a monochrome ink on kaolin-coated board, a drawing that was subsequently sold at an art fair. The bluff…
Continue reading Strata
This is based on a photograph that I took on a walk in east Hampshire which included two bridleways called Standfast Lane and Mill Lane. I can’t remember which lane I took the photograph on , but it doesn’t really matter because Standfast is a…
Continue reading Standfast
This is another scene from my walk in the Shropshire hills in January. The wall alongside the track I was following had fallen into disrepair some time ago, and had been populated by holly, rowan and oak. This was near the top of the Stiper…
Continue reading Trees on a Dry Stone Wall
This shows rowan trees atop a tumbledown dry stone wall at Brook Vessons nature reserve in Shropshire. The location, which I visited in January and would like to return to in a milder month, is part of a derelict hillside mining village abandoned in the…
Continue reading Winter Bank
Beech trees throw some incredible shapes. This is on the upper storey path from my large drawing Multistorey. Undertow, Ink on kaolin-coated board, 12 x16″
There’s something very dramatic about viewing something “against the light”, or from the shadow side with light seeping around the edges. And I rather like dramatic. This is another scene from Church Lane, in Witley, Surrey. The lane is less sunken here, near the top…
Continue reading Contre-Jour
It being winter, I had moved in to the house to draw my green men. Coloured pencil is a fairly innocuous medium, with the possible exception of the pencil shavings. But the only drawing board that I have that is big enough for a sheet…
Continue reading Green Men in coloured pencil (2)
I wanted to take the green man idea a little further than my series of small (10x15cm) lino cuts allowed. Green men, in the form of foliate heads, are found as carvings in stone or wood in some medieval churches, so I decided to draw…
Continue reading Green Men in coloured pencil (1)