Skew -SOLD
This yew tree grows on the bank of a small local stream. It’s no ancient giant, but it is a lovely tree nonetheless. Skew indian ink on paper, unmounted (paper 61 x 43 cm) £210
This yew tree grows on the bank of a small local stream. It’s no ancient giant, but it is a lovely tree nonetheless. Skew indian ink on paper, unmounted (paper 61 x 43 cm) £210
De Narrow Zawn is a tiny inlet in Cornwall’s “tin coast“, a World Heritage site littered with the ruins of old mines for tin, arsenic and copper. In fact, it’s at Botallack, which is probably the best known Cornish tin mining site. If you were…
Continue reading Dynarow Zawn
The yew tree portrayed here is on Merrow Down near Guildford, Surrey. It is probably not the largest or the oldest tree at that site (its regularity and lack of visible hollowing suggests a relative youthfulness), but it is, nonetheless, massive. “Behemoth” is a biblical…
Continue reading Behemoth
Yew trees are quite odd trees. They evolved earlier than most of the other familiar British trees – oaks or beeches, say – which suggests that their oddities may be ancient traits that other, more modern trees, didn’t need: aerial roots, branches that take root,…
Continue reading Bestiary (Hollow Yew)
This pear was going to be part of my lunch on one of my recent “Open Studio” days. But something about it said. “paint me”, and so I did… Packham oil on canvas, 30 x 30 cm £90
This is an oak tree that stands by the side of the main road as it bypasses the village. It is part of a narrow wood that screens the backs of some houses from the traffic. Judging from its size, I’d guess that it is…
Continue reading Entangled
The striking monochromacity of silver birch is a natural fit with pen and ink, but I wanted to do something different with it. So I decided to try drawing on wood. I had several 12 by 12 inch squares of plywood – by chance, it…
Continue reading Silver Birch (blue and gold) series
The lofty beech is a common site on the chalk downs of southern England. Its shallow root system clings to the slopes and is often eroded by the elements, revealing a complex lattice. This drawing is a distillation of the many companionable beeches that I…
Continue reading Three Beeches on a Hill
An ancient oak tree, over 400 years old, still marks part of the boundary of Sydmonton Common in north Hampshire. It is an intriguing entity – partially decayed and yet still living (its upper limbs sported green leaves when I first visited the tree in…
Continue reading Sydmonton Common Oak
This drawing takes the same viewpoint that I used for the oil painting Embankment. Both pieces are 40 x 50 cm. The painting was done with a knife, and focuses on the colour; the drawing, done with a fountain pen, focuses on tone and detail.…
Continue reading Embankment (ink)